Bitrate: 320K/s
Year: 2019
Time: 43:29
Size: 101,1 MB
Label: Rock/Blues/Blues Rock
Styles: Bloodshot Records
Art: Front
Tracks Listing:
1. All My Loving - 2:11
2. From Me to You - 1:53
3. And I Love Her - 2:35
4. This Boy - 2:39
5. If I Fell - 2:23
6. Michelle - 2:56
7. Girl - 2:54
8. Things We Said Today - 2:49
9. Honey Pie - 3:12
10. I Don't Want to Spoil the Party - 2:47
11. No Reply - 2:43
12. Can't Buy Me Love - 3:45
13. Drive My Car - 4:17
14. Because - 2:53
15. Something - 3:02
16. Her Majesty - 0:23
Here are the complete liner notes for Let It Be Guitar! Joel Paterson Plays The Beatles, written by J.D. McPherson:
If you’re a Joel Paterson fan (as I am), you might not have expected to hear him really dive into the Beatles catalogue—but if you’re a Beatles fan (as I am), you certainly understand why he would. The wellspring of pop/rock & roll masterpieces recorded by The Fab Four beg for constant revisitation by instrumentalists and song stylists of all shapes, sizes, and string numbers. That’s why this record is so exceedingly enjoyable to me. Each of Joel’s interpretations of these songs are concise, genre-bending, stylish tone poems, mixing both Joel’s and the Beatles’ own century-spanning inspirations into one zesty musical stew. Contained within certain tracks, you may even find nods to OTHER instrumentalists who have delved into the Beatles’ body of work…It’s almost the meta-sonic equivalent of a Liverpudlian Rube Goldberg drawing. Joel’s phantasmagoric pedal steel guitar on the Santo & Johnny-esque This Boy weeps gently (pun obviously intended) against a spot-on perfect 1950s pop rhythm section, and on I Don’t Want to Spoil the Party, the guitar sound kicks into a double-clutching, gear-jamming, king-of-the-open-road anthem. With its exotica tilt, And I Love Her sounds as though it could have been recorded in a Nashville A-Team session, after the band had heard it cooing from radio speakers during a cigarette break. If we follow the rabbit a little further down the hole, on the ska-tinged No Reply, Joel respectfully channels Jamaican guitar genius Ernest Ranglin, who recorded his own delightful Beatles covers decades ago.
This ain't your uncle's Beatles cover record. This inspired recording is just what Doctor Robert ordered for Beatles fans (and contrarians) everywhere. Let It Be Guitar!
Let It Be Guitar!: Joel Paterson Plays The Beatles
Year: 2019
Time: 43:29
Size: 101,1 MB
Label: Rock/Blues/Blues Rock
Styles: Bloodshot Records
Art: Front
Tracks Listing:
1. All My Loving - 2:11
2. From Me to You - 1:53
3. And I Love Her - 2:35
4. This Boy - 2:39
5. If I Fell - 2:23
6. Michelle - 2:56
7. Girl - 2:54
8. Things We Said Today - 2:49
9. Honey Pie - 3:12
10. I Don't Want to Spoil the Party - 2:47
11. No Reply - 2:43
12. Can't Buy Me Love - 3:45
13. Drive My Car - 4:17
14. Because - 2:53
15. Something - 3:02
16. Her Majesty - 0:23
Here are the complete liner notes for Let It Be Guitar! Joel Paterson Plays The Beatles, written by J.D. McPherson:
If you’re a Joel Paterson fan (as I am), you might not have expected to hear him really dive into the Beatles catalogue—but if you’re a Beatles fan (as I am), you certainly understand why he would. The wellspring of pop/rock & roll masterpieces recorded by The Fab Four beg for constant revisitation by instrumentalists and song stylists of all shapes, sizes, and string numbers. That’s why this record is so exceedingly enjoyable to me. Each of Joel’s interpretations of these songs are concise, genre-bending, stylish tone poems, mixing both Joel’s and the Beatles’ own century-spanning inspirations into one zesty musical stew. Contained within certain tracks, you may even find nods to OTHER instrumentalists who have delved into the Beatles’ body of work…It’s almost the meta-sonic equivalent of a Liverpudlian Rube Goldberg drawing. Joel’s phantasmagoric pedal steel guitar on the Santo & Johnny-esque This Boy weeps gently (pun obviously intended) against a spot-on perfect 1950s pop rhythm section, and on I Don’t Want to Spoil the Party, the guitar sound kicks into a double-clutching, gear-jamming, king-of-the-open-road anthem. With its exotica tilt, And I Love Her sounds as though it could have been recorded in a Nashville A-Team session, after the band had heard it cooing from radio speakers during a cigarette break. If we follow the rabbit a little further down the hole, on the ska-tinged No Reply, Joel respectfully channels Jamaican guitar genius Ernest Ranglin, who recorded his own delightful Beatles covers decades ago.
This ain't your uncle's Beatles cover record. This inspired recording is just what Doctor Robert ordered for Beatles fans (and contrarians) everywhere. Let It Be Guitar!
Let It Be Guitar!: Joel Paterson Plays The Beatles
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