"Chicago" Carl Snyder & Friends - Lost and Found

Bitrate: 320K/s
Year: 2019
Time: 52:26
Size: 120,2 MB
Label: Lost World Music
Styles: Blues/Chicago Blues/R&B
Art: Front

Tracks Listing:
 1. That Ain't Right (feat. Jimmy Lawrence) - 5:36
 2. Party Man (feat. Dan Noland) - 4:27
 3. If You're Gonna Walk on My Love (feat. Billy Sharp) - 4:34
 4. Sweet Sixteen / Take Me to the River (feat. Dan Noland) - 4:52
 5. Just Around the Corner (feat. Slim) - 3:46
 6. You Beat Me to the Punch (feat. Jean Avery) - 5:37
 7. Stranded (feat. Dan Noland) - 5:10
 8. Honey Brown (feat. Slim) - 4:38
 9. Flip Flop & Fly (feat. Billy Sharp) - 4:56
10. I'll Be Around (feat. Dan Noland) - 4:10
11. Walkin' with the Blues (feat. Larry Burton) - 4:35

Rocking electric blues with smooth vocals and wailing horns/A big city blues/r&b revue with strong vocals and tough horns -- plus Larry Burton's guitar. The grooves run deep and the feel is that of a live show.

Lost and Found

Villanova Junction - 11:11

Bitrate: 320K/s
Year: 2011
Time: 67:51
Size: 155,8 MB
Label: Self-Released
Styles:Rock/Psychedelic
Art: Front

Tracks Listing:
 1. All That There Is - 4:02
 2. Devil Is the Man - 3:58
 3. Perineum - 2:00
 4. Shake Rubberdoll - 5:31
 5. Silhouette of Sound - 5:38
 6. Silence - 4:06
 7. Drink With the Dead - 6:01
 8. What We Had - 3:39
 9. Intercourse Ii - 4:04
10. Is This Your Meaning - 5:26
11. 11:11 - 4:34
12. Heart Plugged - 5:23
13. The Keepers - 3:12
14. Running Out of Time - 2:57
15. Fractal of Love - 4:00
16. Bad Bad Baby - 3:15

Electrical psychedelic juices mixed with a frosty glass of cheap old school Rock & Roll. A very wide arrangement of material some of which include strings, sexual harmonies, guitar feedback, acoustical melodies and snappy 60's beats.Villanova Junction was formed in 2007. First being hypnotized by such bands as Iggy Pop, the Doors and the Misfits. Now a days the members of the band have become more eclectic in their range of music. The resemblance of bands such as Cream, the Black Keys, Arcade Fire and the Beatles has inspired the bands musical interests to become extremely abundant in terms of their own creativity. They do not wish to be labeled in one genre, but many. More instrumentals, more harmonies, more melodies. Villanova Junction wants to create in the form that keeps the audience involved and interested...always. The members of the band also feel as though there is a connection involved with the audience. Something that you feel is coming from the bands heart and is transformed into something beautiful. It's a sense of awareness, a sense of deep pleasure that fills the mind with satisfaction for audience members. You leave the show knowing that it was indeed a show. Villanova Junction wanted to capture that same essence on their self debut album "11:11" which feature 16 tracks that cover everything from 60's snap mod beats to melodic and dramatic instrumentals. The baritone voice is not too common in the music industry these days and it sure is glad to hear someone who can yelp like they got a pair. The album is definitely a great one to listen to. Single tracks include "Devil is the man", "Drink with the Dead" , "Silence" and "Fractal of Love." Be sure to listen to the full album from start to finish so that you may get that full effect... that essence which permeates from the heart of the band.

11:11

UHF - All Our Golden Tomorrows

Bitrate: 320K/s
Year: 2005
Time: 46:04
Size: 105,8 MB
Label: Second Story Records
Styles: Rock/Psychedelic
Art: Front

Tracks Listing:
 1. Disconnect - 3:37
 2. Battery - 2:52
 3. Revolving Door - 3:57
 4. Rules of the Game - 4:56
 5. Making Connections - 4:30
 6. So High - 3:28
 7. The Behemoth - 4:56
 8. The Inbetweens - 5:18
 9. Nothing - 4:55
10. Goodbye Hello - 3:20
11. A Flight of Stairs - 4:10

Psych-popsters UHF alternately incorporate '90s influences such as Blur and early Radiohead alongside touchstones like John Lennon and The Move. Singer/guitarist Jeremy Leff doesn't stray far from his inspirations. UHF's fourth release opens with catchy "Disconnect," a sweet-and-sour morsel that evokes Sloan and Spoon. During melancholy "Revolving Door" and "Nothing" Leff sounds like a slightly chipper Thom Yorke, and on "Rules of the Game" he paraphrases The Beatles with his deadpan invocation, "The love you take, is equal to the love you fake."
British '80s psychedelic pop is also cited in undiluted "The Behemoth" and "Goodbye Hello," where Leff echoes Lennon's reverb vocals while the band lays down a distinct Lennon-ish affectation. Beneath UHF's attractive pop and rocking psychedelia are narratives which show a dark, moody undertone, focusing on modern life themes which include meaningless jobs, a dehumanized, contemporary Internet culture and media alienation. Fortunately, UHF's dour messages are embedded inside hooky harmonies and charismatic power chords.

All Our Golden Tomorrows

The Moondoggies - Don't Be a Stranger

Bitrate: 320K/s
Year: 2008
Time: 54:44
Size: 125,6 MB
Label: Hardly Art
Styles: Rock/Roots Rock
Art: Front

Tracks Listing:
 1. Ain't No Lord - 3:22
 2. Black Shoe - 3:54
 3. 'Ol Blackbird - 2:28
 4. Save My Soul - 0:48
 5. Changing - 4:41
 6. Night and Day - 8:08
 7. Undertaker - 3:53
 8. Jesus on the Mainline - 2:06
 9. Long Time Coming - 7:36
10. Old Hound - 2:28
11. Make it Easy - 5:37
12. Bogachiel Rain Blues - 4:27
13. I Want You To Know - 5:10

Ten years ago in the woodsy city of Everett, Washington, five friends banded together to form The Moondoggies, a beloved Northwest Americana band whose 2008 debut full-length Don't Be A Stranger was one of the first releases in Hardly Art's history.

Don't Be a Stranger

Goodbye June - Community Inn

Bitrate: 320K/s
Year: 2019
Time: 45:06
Size: 103,8 MB
Label: Earache Records
Styles: Blues Rock/Hard Rock/Southern Rock
Art: Front

Tracks Listing:
 1. Rolling Off My Tongue - 3:18
 2. Universal Mega Love - 3:25
 3. Secrets in the Sunset - 3:58
 4. Be Yourself - 4:13
 5. Lonely Beautiful People - 3:14
 6. Natural - 3:18
 7. Joan&Dylan - 3:52
 8. Anywhere the Wind Blows - 3:45
 9. Switchblade Heart - 3:45
10. Live in the Now - 4:22
11. I Don't Mind - 3:38
12. Free Child - 4:13

Nashville, Tennessee’s Goodbye June are three cousins who formed after the death of guitarist Tyler Baker’s brother in June (hence the band name), vowing to honour his memory with their soulful and life affirming sound. Having parted ways from major label Interscope after the release of their debut album Magic Valley (2017), Goodbye June sonically with the new wave of hard rock acts like Greta Van Fleet Led while adding layers of colour that references a wide spectrum from Led Zeppelin to Kings of Leon.

Community Inn

God Street Wine - This Fine Town

Bitrate: 320K/s
Year: 2019
Time: 52:16
Size: 119,8 MB
Label: Dangerous Mountain
Styles: Progressive Rock/Psychedelic Rock/Jam Band
Art: Front

Tracks Listing:
 1. This Fine Town - 7:08
 2. Nothing Left To Lose - 5:39
 3. Stupid Hat - 7:36
 4. Peanut Butter Jar - 6:55
 5. Circle - 6:57
 6. Cheap Utah Blues - 6:24
 7. Flame - 5:20
 8. 6:15 - 6:13

Musicians:
Lo Faber - Guitars, keyboards, lead and backing vocals;
Aaron Maxwell - Guitars, lead and backing vocals;
Jon Bevo - Keyboards;
Dan Pifer - Bass;
Tom Osander - Drums and percussion, backing vocals;
Craig Dreyer - Tenor Sax on "Circle".

God Street Wine's first full length studio album in over 20 years, featuring reimagined versions of eight songs from the band's 1990s touring heyday.8 songs by New York jam rock ensemble God Street Wine/

This Fine Town

Phillip Walker - Live In Paris

Bitrate: 320K/s
Year: 2003
Time: 54:38
Size: 127,4 MB
Label: Electric Blues
Styles: Gilkey Records
Art: Full
Source: kmn

Tracks Listing:
 1. On My Way - 6:31
 2. Street Walkin Woman - 6:30
 3. Tin Pan Alley - 6:35
 4. Breakin Up Somebody's Home - 6:33
 5. Busted - 6:32
 6. It's All In Your Mind - 5:10
 7. Driftin - 6:02
 8. Boogie Woogie Rambler - 7:39
 9. I've Got A Problem - 3:02

Recorded Live October 11, 2003 in the Jazz Club Lionel Hampton, at Le Meridien Etoile in Paris, France. Despite recording somewhat sparingly following his debut as a leader in 1959 on Elko Records with the storming rocker "Hello My Darling," Louisiana-born guitarist Phillip Walker enjoyed a sterling reputation as a contemporary blues guitarist with a distinctive sound honed along the Gulf Coast during the '50s. A teenaged Walker picked up his early licks around Port Arthur, Texas from the likes of Gatemouth Brown, Long John Hunter, Lightnin' Hopkins, and Lonnie "Guitar Junior" Brooks. Zydeco king Clifton Chenier hired Walker in 1953 as his guitarist, a post he held for three and a half years. In 1959, Walker moved to Los Angeles, waxing "Hello My Darling" for producer J.R. Fulbright (a song he would revive several times thereafter, most effectively for the short-lived Playboy logo). Scattered 45s emerged during the '60s, but it wasn't until he joined forces with young producer Bruce Bromberg in 1969 that Walker began to get a studio foothold. Their impressive work together resulted in a 1973 album for Playboy (reissued by HighTone in 1989), The Bottom of the Top, that remained one of Walker's finest recordings.
Walker cut a fine follow-up set for Bromberg's Joliet label, Someday You'll Have These Blues, that showcased his tough Texas guitar style (it was later reissued by Alligator). Sets for Rounder and HighTone were high points of the 1980s for the guitarist, and 1994's Big Blues from Texas (reissued in 1999) continued his string of worthy material. His 1995 set for Black Top, Working Girl Blues, showed Walker at peak operating power, combining attractively contrasting tracks waxed in New Orleans and Los Angeles. I Got a Sweet Tooth followed in 1998, and displayed no letdown in quality or power. Walker got together with fellow blues legends Lonnie Brooks and Long John Hunter in 1999 to record Lone Star Shootout for Alligator. Walker was featured as lead vocalist on four tracks and backed the others on the rest of the record. In the fall of 2002, a live recording of a spring concert was released on M.C. Records, and 2007 saw the release of Going Back Home by Delta Groove Productions. Phillip Walker died in July 2010 at the age of 73. ~Bill Dahl

Live In Paris

Roger "Hurricane" Wilson - I Did What I Wanted To!

Bitrate: 320K/s
Year: 2019
Time: 48:09
Size: 110,4 MB
Label: Bluestorm Records
Styles: Blues/Electric Blues
Art: Front

Tracks Listing:
 1. I'm Coming Home - 4:15
 2. I Did What I Wanted To - 4:16
 3. If This Is Love - 4:35
 4. This Crazy World - 5:40
 5. Blues Came from the Country - 4:04
 6. Food, Phone, Gas, & Lodging - 2:43
 7. I'm Through with the Blues - 4:36
 8. Why Can't It Be Like Christmas Everyday? - 3:07
 9. Legacy of Ted Turner - 3:30
10. Sittin' on a Stallion - 4:17
11. Solid Gold Love - 4:23
12. Why I Do What I Do - 2:37

The release of his latest project, I DID WHAT I WANTED TO, is a reflection of Roger’s 50 years as a professional musician. “I am very excited to be releasing my 25th CD. The title track, “I DID WHAT I WANTED TO, says it all. Some like my music and some don’t, but that never mattered. I just set out to do what it was that felt right to me. Over the years, I’ve met a lot of great people, producers, and critics who have positively embraced what I do. It’s been a great run, but as they say in the old country, ‘It ain’t over yet’!” If you like guitar driven blues rock, fluid and intricate finger style guitar picking, and emotional songwriting, you are at the right place. Roger “Hurricane” Wilson has made his own mark on the music world. The legendary Les Paul once said about Roger, “This guy plays some great blues.” Atlanta treasure Francine Reed stated that, Roger “Hurricane” Wilson is a force to be reckoned with.” With over a million miles under his belt, he has shared the stage with such notable artists as B.B. King, Buddy Guy, Stevie Ray Vaughn, Little Milton, Hubert Sumlin, Willie “Big Eyes” Smith, Charlie Musselwhite, Jorma Kaukonen, Dicky Betts, Delbert McClinton, Taj Mahal, and many more. And if that isn’t enough, and don’t you think it ought to be, as a result of his Blues In The Schools Program, The Oklahoma Blues Hall of Fame thought him worthy enough to induct him in 2015.

I Did What I Wanted To