Bitrate: 320K/s
Year: 2000
Time: 65:11
Size: 149,5 MB
Label: Ancient Records
Styles: Progressive Rock/Jazz Rock Fusion
Art: Full
Tracks Listing:
1. Evil Vs. Evil - 3:15
2. Instability, Containment, Rollback - 5:00
3. Tetrahedral Metaphor - 6:27
4. Mechanical World - 4:58
5. International Monetary Fun - 4:59
6. Constant Fear - 4:45
7. Structural Adjustment - 8:44
8. Private Power - 6:10
9. Tarana - 3:52
10. Not There - 5:11
11. Centerless Grinding - 2:39
12. Monuments - 9:05
The music on this record in some abstract way represents in my mind a model for interaction and third world indigenous people. By preserving the culture and extracting samples we can study it. Instead of changing and dominating their systems of order we can adjoin and build onto them and create a new civilization using the best from each. Hopefully the music we've created here does something like that. It attempts to collaborate in new ways using technology (sampling) thereby keeping the original music intact. Starting from there we've reharmonized and rearranged the original without destroying it, and tried to create something new using western musical systems and high-powered aggressive timbres and rhythms. The result being the weaving of a musical/mathematical partnership. A vast geometry. Hyperdimensional, ancient geometry." - Jim Matus
As you can see from the above, this album has a political statement to get over and on listening to this album this comes over very clearly, one other thing that is evident right from the start is the third world influence within the music.
Private Power
Year: 2000
Time: 65:11
Size: 149,5 MB
Label: Ancient Records
Styles: Progressive Rock/Jazz Rock Fusion
Art: Full
Tracks Listing:
1. Evil Vs. Evil - 3:15
2. Instability, Containment, Rollback - 5:00
3. Tetrahedral Metaphor - 6:27
4. Mechanical World - 4:58
5. International Monetary Fun - 4:59
6. Constant Fear - 4:45
7. Structural Adjustment - 8:44
8. Private Power - 6:10
9. Tarana - 3:52
10. Not There - 5:11
11. Centerless Grinding - 2:39
12. Monuments - 9:05
The music on this record in some abstract way represents in my mind a model for interaction and third world indigenous people. By preserving the culture and extracting samples we can study it. Instead of changing and dominating their systems of order we can adjoin and build onto them and create a new civilization using the best from each. Hopefully the music we've created here does something like that. It attempts to collaborate in new ways using technology (sampling) thereby keeping the original music intact. Starting from there we've reharmonized and rearranged the original without destroying it, and tried to create something new using western musical systems and high-powered aggressive timbres and rhythms. The result being the weaving of a musical/mathematical partnership. A vast geometry. Hyperdimensional, ancient geometry." - Jim Matus
As you can see from the above, this album has a political statement to get over and on listening to this album this comes over very clearly, one other thing that is evident right from the start is the third world influence within the music.
Private Power
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