Bitrate: 320K/s
Year: 2017
Time: 39:21
Size: 90,2 MB
Label: Self Released
Styles: Blues
Art: Front
Tracks Listing:
1. Bottoms up - 3:03
2. Cherry Liquor - 4:25
3. Jesse Mae - 3:09
4. I Got a Reason - 2:55
5. Wish Me Luck - 3:19
6. A Bottle a Day - 2:57
7. One Too Many - 4:35
8. She Got Me - 2:59
9. I'm Here to Tell Ya - 4:05
10. Slammer - 4:07
11. She's Smilin Now - 3:43
Contemporary Gut-Bucket Bluues, alternative-Blues, Garage Blues, power-trio Blues Rock.
FIREWORKS Magazine (U.K.May/June 2015) described their sound as having the ".boogie - ethic of the late, great John Lee Hooker" and wrote it "recalls those Hooker and Canned Heat collaborations". Highlighted tracks: "Bottoms Up" is an electrified R.L. Burnside influenced rural blues celebration of a favorite watering hole. "Cherry Liquor" slow-burns as a last call overture Lightnin' Hopkins might have written with a low down Chicago blues rhythm section. Dixie meets The Delta on "I Got A Reason". If Johnny Cash wrote a song for Junior Kimbrough, this might be it. "One Too Many" sounds like a plugged-in Burnside/Johnny Woods hill country blues juked up with drums and bass. Recorded live in Chicago without benefit of overdubs and control room gimmickry, the new CD presents the bands take on original, contemporary, gut-bucket blues.
Bottoms up
Year: 2017
Time: 39:21
Size: 90,2 MB
Label: Self Released
Styles: Blues
Art: Front
Tracks Listing:
1. Bottoms up - 3:03
2. Cherry Liquor - 4:25
3. Jesse Mae - 3:09
4. I Got a Reason - 2:55
5. Wish Me Luck - 3:19
6. A Bottle a Day - 2:57
7. One Too Many - 4:35
8. She Got Me - 2:59
9. I'm Here to Tell Ya - 4:05
10. Slammer - 4:07
11. She's Smilin Now - 3:43
Contemporary Gut-Bucket Bluues, alternative-Blues, Garage Blues, power-trio Blues Rock.
FIREWORKS Magazine (U.K.May/June 2015) described their sound as having the ".boogie - ethic of the late, great John Lee Hooker" and wrote it "recalls those Hooker and Canned Heat collaborations". Highlighted tracks: "Bottoms Up" is an electrified R.L. Burnside influenced rural blues celebration of a favorite watering hole. "Cherry Liquor" slow-burns as a last call overture Lightnin' Hopkins might have written with a low down Chicago blues rhythm section. Dixie meets The Delta on "I Got A Reason". If Johnny Cash wrote a song for Junior Kimbrough, this might be it. "One Too Many" sounds like a plugged-in Burnside/Johnny Woods hill country blues juked up with drums and bass. Recorded live in Chicago without benefit of overdubs and control room gimmickry, the new CD presents the bands take on original, contemporary, gut-bucket blues.
Bottoms up
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