Year: 2016
Time: 39:49
Size: 91,4 MB
Label: Woodward Avenue Records
Styles: Guitar Jazz
Art: Front
Tracks Listing:
1. Put It Where You Want It - 3:44
2. Sexy Thang (feat. Darren Rahn) - 4:00
3. Hush - 3:52
4. Piccadilly Circus (feat. Chris Standring) - 3:48
5. River Walk (feat. Marc Antoine) - 3:52
6. Well Alright (feat. Don Bryant) - 4:08
7. Take Flight (feat. Peter White) - 4:29
8. One Way Back - 3:24
9. Rear View Mirror (feat. Chuck Loeb) - 3:49
10. Heaven - 4:39
The term “Renaissance Man” dates back to the time of Leonardo da Vinci, who was described as a man of “unquenchable curiosity” and “feverishly inventive imagination.” Paul Brown‘s four decade journey through the worlds of pop, R&B and jazz is the modern day musical equivalent. Starting as a drummer, he became an engineer for R&B legends (Diana Ross, Luther Vandross, Aretha Franklin) before evolving into a two time Grammy winning urban jazz producer (with over 60 #1 radio airplay hits) and finally a popular guitarist, artist and performer in his own right.
While keeping his trademark deep funk and cool urban vibes flowing, Brown taps deeper than ever before into his lifelong blues influences, which includes a foundational passion for greats like Stevie Ray Vaughan, Eric Clapton, Buddy Guy, Little Feat and B.B. King. This edge is immediately apparent on the album’s lead single, a bold and fiery re-imagining of The Crusaders’ soul-jazz classic “Put It Where You Want It,” which he describes as a “combination of Wes Montgomery and Larry Carlton,” the latter who played on the original recording of the tune.
“Even after all these years,” he says, “I truly feel that I’m continuing to evolve as a guitarist, and I’m glad the way the genre is right now allows artists to follow the deeper passions of their musical hearts more than ever before. With each album, I feel like I’ve grown as a musician and artist, and I’m a far different player than I was when I recorded Up Front. When that came out, I had never performed a live show as a guitarist. You can practice an instrument in a room all you want, but until you play live, you don’t acquire a full level of skills. All of that gigging has helped me grow technically, and playing what I have imagined in my head is a lot easier than it used to be. The freedom and confidence I have gained from those translates to my personal development and allows me to bring fresh new ideas into the studio.”
~ One Way Back ~
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