суббота, 22 января 2022 г.

T.S. Henry Webb - You Are a Star

Bitrate: 320K/s
Year: 1975
Time: 38:14 
Size: 89,0 MB 
Label: Dharma Records
Styles: Rock/Classic Rock
Art: Front 

Tracks Listing:
 1. It's My Heart - 3:15
 2. Here I Sit - 3:49
 3. James Mr. Darling - 2:57
 4. Chanticleer's Retort - 4:14
 5. Ten/Four Melbo - 3:17
 6. Streetman - 3:52
 7. You Are A Star - 0:34
 8. Paradise Ball - 2:34
 9. Key On My Ring - 2:47
10. Roadway Randy - 3:12
11. Majic Man - 3:14
12. How Good You Look Tonight - 4:22

ИНФО:
https://www.discogs.com/ru/artist/2390148-TS-Henry-Webb
https://rateyourmusic.com/artist/t_s-henry-webb

среда, 19 января 2022 г.

Choice - Just A Dream

Bitrate: Lossless
Year: 1980
Time: 40:05 
Size: 266,4 MB 
Label: Unofficial
Styles: Progressive Rock/Crossover Prog
Art: Full 

Tracks Listing:
 1. Ixtian - 6:32
 2. Hollow Men - 4:20
 3. All The Things - 4:21
 4. Remembrances - 3:14
 5. Sonnenaufgang - 3:36
 6. Old Piece Of Rock - 4:53
 7. Back Up - 7:31
 8. Nothing To Hide - 5:36

CHOICE is a German band who release only one album in 1980 named simply Just A Dream on the German label Rocktopus in vinyl format, never issued on CD yet. Three of the musicians from here are from another German band from late 70s EPIDAURUS (Symphonic Prog). When this band broke-up the original members Gunther HENNE, Gerd LINKE and Heinz KUNERT gathered to form a new band - CHOICE. CHOICE'S music is somewhere between Symphonic Prog (not far from German bands from the late 70s like TIBET, TRILOGY or NOVALIS) and some pop elements here and there. A good album, with pleasant pieces, not very complex, but not too simple either. Some keyboard passages reminiscent of ELOY, spacey and very well executed, also the instrumental passages are great, showing that CHOICE was a promising band that for some reasons never made it in music circles. Although long gone, CHOICE should never be forgotten.

вторник, 18 января 2022 г.

Rain - Rain

Bitrate: Lossless
Year: 1972
Time: 42:19 
Size: 240,1 MB 
Label: Sunbeam Records (2008)
Styles: Progressive Rock
Art: Full
Source:Condr

Tracks Listing:
 1. Can You Help Me Sing My Song? - 1:56
 2. To A Dreamer - 4:01
 3. Mother's Evil Child - 3:04
 4. Love Me Still - 4:04
 5. All Your Days Are Long - 6:34
 6. Let Our Hopes Run Our Dreams - 3:35
 7. Song To Barbara - 5:20
 8. You Take Me Higher - 2:27
 9. He Could Have Known - 5:45
10. As I Played My Song (For You) - 3:22
11. Springtime (bonus track) - 2:05

A fascinating blend of soft pop, folky psych and early prog… the songs are brief and highly melodic. All are memorable and creatively composed. This is a great record!

Beaver Brothers - Ventriloquisms

Bitrate: Lossless
Year: 1978
Time: 31:16 
Size: 181,6 MB 
Label: Unofficial
Styles: Pop Rock/Psychedelic Rock/Art Rock
Art: Full 

Tracks Listing:
 1. You'll Never Believe It - 2:43
 2. Who Do You Think You're Fooling - 2:22
 3. Take The Last Bow - 3:12
 4. I Am You - 4:45
 5. Doctor's Song - 4:24
 6. Come On And Do It To Me - 2:43
 7. Bernard - 2:38
 8. Gotta Get Out Of This Place - 2:49
 9. Looking At You - 1:56
10. Come On Home With Me Tonight - 2:34
11. Reprise - 1:05

Short-lived rock duo formed by York-born singer/guitarist Cliff Wade and drummer Geoff Gill, formerly of the Smoke ("My Friend Jack"). They lasted long enough to release a pair of singles and an LP on the Aura label, before Wade and Gill turned to the more lucrative field of songwriting and scored a hit in the hands of Pat Benatar with "Heartbreaker" a year later. Both also worked with singer Jenny Darren, and Gill went on to work with the Euro-disco outfit Boney M., who had a modest hit with a cover of "My Friend Jack" at the outset of the 1980s.

Body - Madhouse

Bitrate: Lossless
Year: 1993
Time: 50:16 
Size: 338,1 MB 
Label: SPM
Styles: Progressive Rock
Art: Full 
Source: wurensh

Tracks Listing:
 1. Propaganda I - 1:22
 2. Madhouse - 7:04
 3. Propaganda II - 0:36
 4. TV - 4:10
 5. Propaganda III - 1:25
 6. Lady - 5:12
 7. Tales of the Riverbank - 3:59
 8. Desire - 5:31
 9. Propaganda IV - 2:45
10. Dreams / Nightmare - 3:51
11. Chase the Dragon - 6:03
12. SRT - 8:12

Very unusual, when a 12-year gap seems like only a few months soundwise.''Madhouse'' was recorded a dozen years away from Body's debut and with a vastly different line-up (only Gary Alliston and John Bleasdale come from the old core, also two female members appear on vocals and keys), but the music is well-rooted in their first attempt, this is tempting British-styled Prog with Floyd-ian and psychedelic touches, based on expressive vocals, layers of atmospheric synthesizer and stretched electric guitar hooks.Some tracks sound like pure Neo Prog of the 80's, other are more in a Neo-Psych mood with electric leads and odd atmospheres.There seems to be another mysterious album (''Mirror image'') recorded by the band in 1989, but has anyone ever seen it?

понедельник, 17 января 2022 г.

Assolo Di Bongo - Spinning Like A Top

Bitrate: Lossless
Year: 2006
Time: 47:00 
Size:  350.5 MB 
Label: Musea (FGBG 4664.AR)
Styles: Progressive Rock/Jazz-Rock/Fusion
Art: Full 
Source:Musicgate

Tracks Listing:
 1. Bulbo -  5:32
 2. Rapsodia -  7:01
 3. Joungle Box -  6:01
 4. Blu Superficiale -  2:56
 5. Immersion -  2:42
 6. Tangram -  6:42
 7. Spinning Like A Top - 10:54
 8. Bad Boy 'H' -  5:08

ASSOLO DI BONGO are an all-instrumental quartet from Udine (Italy) who play an energetic combination of Italian Prog and driving rock fusion in the vein of D.F.A. and DEUX EX MACHINA. Shades of AREA, GENTLE GIANT and CAMEL can also be heard on their album entitled "Primetime". The band consists of David Accaino on keyboards, Enrico De Stalis on guitar, Elvis Fior on drums and Erico Rainis on bass.Released in 2001, "Primetime" features some strong melodic compositions but the foursome aren't afraid to dig into some extended improvisation either. Despite its heavy aspects, however, their material clearly belongs to the prog-rock fusion rather than the prog-metal fusion category. The musicianship is impressive and the writing unique and enticing, alternately flirting with jazz rock and heavy-duty fusion, at times resembling ELP in a jamming mode. It all makes for a spirited romp of high-energy instrumental prog where everything flows nicely, as the band clearly favours the over-all effect over solo displays. A very 'together' little album, quite impressive and well worth checking out.Fans of D.F.A. and DEUS EX MACHINA will love this, but if you enjoy melodic rock fusion in general and want to hear some fine jamming, you'll have some fun with ASSOLO DI BONGO's material. From Italy comes a band with an immense potential which have signed with the famous and well respected French label-MUSEA!I think that's more then enough for a guarantee that this band and album has many things to deliver!First of all a compositional maturity which proves that in the band are skilled and gifted musicians!And that's the truth,becaue the album is rich in ideas and the musical message is perfect for those who adore fusion in a traditional veine as MAHAVISHNU,DIXIE DREGGS and othe fusion icons!Top production and a great variety of compositions,addition of saxes,cellos and trumpets to the classical fusion instruments,a very pleasant and nice album made with passion and belief for true wonderful fusion music!This album is a giant step ahead compered to the first musical effort of the and,the already excellent debut album under the ASSOLO DI BONGO name!They have changed...shotened the name in ADI B,and this time the Italian musicians are really pushing the musical boundaries to some more focused on composition songs and not on the individual demonstrations!Definitelly,the guys are talented and from the surprisingly muscled BAD BOY H ,passing by JOUNGLE BOX to the complex title track composition,the whole album offers an excellent audition!We hope to have in the future many surprises from a band with wonderful musical perspectives,a developing personality and already 2 excellent albums in pocket! (http://www.progarchives.com/album.asp?id=13690)

Ablution - Ablution

Bitrate audio: Lossless
Year: 1974 (LP)
Time: 40:24 
Size: 293,2 MB 
Label: CBS
Styles: Progressive Rock/Jazz-Rock/Fusion
Art: Front + Back 

Tracks Listing:
 1. Bluegaloo - 6:25
 2. Woodchurch Sorceress - 1:49
 3. Kokt Tvatt - 5:53
 4. The Nard Finished Third - 7:06
 5. Equator - 5:51
 6. Third Meter Stroll - 6:40
 7. The Visitor - 6:35

Musicians:
Janne Schaffer - guitar
Björn J:son Lindh - flute, piano
Pete Robinson - keyboards
John Gustafson - bass
Barry de Souza - drums, trumpet
Ola Brunkert - drums, percussion
Melando Gassama - percussion

This is an excellent Jazz Rock album out of Sweden although this rather large seven piece band includes three guys from the UK. I like the picture of the guys on the back cover. Two of the Brits John Gustafson(bass) and Peter Robinson(electric piano, clavinet, synths and organ) come from the heavy band QUATERMASS while the other is Barry De Souza out of London on trumpet and drums. The legendary Bjorn J:Son is here on flute, electric piano and percussion.
Man this is such an impressive album to listen to. Mostly uptempo with outstanding musicians playing complex arrangements. A lot of percussion on here along with some incredible bass and drum work while the flute, guitar and electric piano often solo over top. Some exceptions are the short "Woodchurch Sorceress" which is haunting with experimental sounds and sparse flute. And the longest track and closer "The Visitor" is also haunting to a lesser degree as it trips along with some flute and a relaxed sound. Headphone music right here. "Third Meter Stroll" is all about the beats and bass. Love that bass. Favourite tracks are "Bluegaloo" the opener with some funk and flute leading the way. Lots of percussion sounds then the guitar solos after 2 minutes. The other top song for me is "Equator" with that powerful sound and insane flute. Some cool sounding guitar expressions and electric piano too. Just a very well played album with tons going on most of the time. The bass player would go on to play with Ian Gillan band and Roger Glover while the keyboardist went to BRAND X.

среда, 1 декабря 2021 г.

The Typicals - Popscreams

Bitrate: 320K/s
Year: 1989
Time: 34:06 
Size: 78,7 MB 
Label: Dollyrocker Records 
Styles: Indie Rock/Power Pop
Art: Front 

Tracks Listing:
 1. Missionary Girl - 2:33
 2. I'll Try - 3:53
 3. I Could Be The One - 3:25
 4. Going Steady Still - 2:39
 5. She's Not Popular - 2:35
 6. Say About Us - 2:44
 7. A Girls Way - 3:19
 8. Talk Of The Town - 2:11
 9. Idiots That Wait - 2:48
10. National Anthem - 3:01
11. Walking In The Rain - 4:53

Indie rock foursome from Massachusetts who play a catchy emotive power pop set.  Although there are four slower acoustic driven songs, the rest are quick paced numbers that satisfy power pop indie heads.

Calvin Leavy - The Best Of Calvin Leavy

Bitrate: 320K/s
Year: 2000
Time: 34:47 
Size: 81,6 MB 
Label: TAM/Red Clay Records
Styles: Blues/Electric Blues
Art: Full

Tracks Listing:
 1. Cummins Prison Farm - 4:44
 2. Going To The Dogs Part 1&2 - 4:21
 3. Give Me Love That I Can Feel - 2:10
 4. Enjoy Being Hurt By You - 2:32
 5. Funky Jam (Inst.) - 3:25
 6. Born Unlucky - 4:07
 7. I Want To Be The Last To Cry - 2:41
 8. Free From Cummins Prison Farm - 3:56
 9. If Life Last Luck Is Bound To Change - 3:00
10. Is It All Worth That I Am Going Through - 3:46

Calvin Leavy (April 20, 1940 – June 6, 2010) was an American soul-blues and electric blues singer and guitarist. He had a hit single in 1970, when "Cummins Prison Farm" peaked at number 40 on the US Billboard R&B chart and stayed on the chart for five weeks. Locally, it was number one on the chart of radio station WDIA, based in Memphis, Tennessee.Later in his life, Leavy became the first person indicted under the 1988 drug kingpin law. He died in prison.
Calvin James Leavy was born in Scott, Pulaski County, Arkansas, the youngest son of fifteen children. As a child he sang in his church choir. By adolescence, he was singing with various gospel ensembles in Little Rock. He formed the Leavy Brothers Band in 1954, and they were popular locally, before relocating to Fresno, California. By the end of 1968, they had moved back to Little Rock and were playing at local clubs. Through this work, Leavy was offered recording time at E&M Studios in Little Rock. The group recorded a cover version of "Tennessee Waltz" and the song "Cummins Prison Farm", written by Bill Cole. Leavy used the prison experiences of one of his brothers to expand the lyrical content.It was originally issued by Soul Beat Records and was subsequently distributed nationally by Blue Fox Records, that label's first release. "Cummins Prison Farm" reached number 40 on the Billboard R&B chart. Recorded in one take, it was one of 27 blues-based songs that reached the R&B chart in 1970. Leavy recorded further singles for Aquarian, Soul Beat, Downtown and Messenger Records.[5] These included "Nothing but Your Love", "Give Me a Love (That I Can Feel)" and "Goin’ to the Dogs Pt. 1". The band also made some recordings for the Arkansas Bicentennial Blues Project, which are archived at the University of Arkansas at Little Rock. They also appeared in 1977 at the Beale Street Music Festival, before disbanding. Forming Calvin Leavy and the Professionals, he and his new band remained popular locally. They recorded "Is It Worth All (That I'm Going Through)", "Big Four", "What Kind of Love", "Free from Cummins Prison Farm", and the prophetic "If Life Last Luck Is Bound to Change". Further national chart success eluded him, but he maintained a strong fan base in the South, and his records often appeared on local jukeboxes. Cummins Prison, the inspiration for Leavy's only national hit record and later his residence In 1991, Leavy was charged with making payments to an undercover police officer and was convicted of multiple drug-related offences in July 1992. He was sentenced to life plus twenty-five years. His imprisonment started at Cummins Prison. By 2004, his sentence was commuted to seventy-five years. Leavy died in June 2010, at the age of 70, in the Jefferson Regional Medical Center in Pine Bluff, Arkansas, He would have been eligible for parole in eighteen months.

Backwater Roll Blues Band - Live From The Platform

Bitrate: 320K/s
Year: 2014
Time: 76:14 
Size: 177,0 MB 
Label: Self Released
Styles: Blues/Modern Electric Blues/Blues Rock
Art: Full 

Tracks Listing:
 1. So Mean To Me (Live) - 5:15
 2. Walking The Dog (Live) - 6:02
 3. Wait On Time (Live) - 5:10
 4. Big Legged Woman (Live) - 5:53
 5. Hoochie Coochie Man (Live) - 7:16
 6. Mr Highway Man (Live) - 6:13
 7. Who Do You Love (Live) - 7:10
 8. I Don't Need No Doctor (Live) - 8:10
 9. Devil Woman (Live) - 8:08
10. Big Boss Man (Live) - 8:51
11. Fistful Of Dirt (Live) - 8:02

Backwater Roll have been in the UK’s Two Biggest Blues Magazines, Blues in Britain and Blues Matters many times including The Legendary German online Magazine ROCKTIMES.DE BLUES which showcased a review of one of the gigs from their Tour throughout Holland at the Famous Bluesmoose Cafe, Backwater Roll have had lots of reviews of some of the biggest festivals and blues Clubs of the British Blues Scene, They continue to grow and play more and more iconic venues and festivals.They reached number 5 in the IBBA’s most played album on the blues radio shows in the first month of the release of the their Highly acclaimed Live Album, Backwater Roll - Live at The Platform and secured an ongoing position of number 25 over a 3 month period.


понедельник, 29 ноября 2021 г.

Spring Wheel - Spring Wheel

Bitrate: 320K/s
Year: 1973
Time: 33:04 
Size: 76,4 MB 
Label: Greene Bottle Records, Inc.
Styles: Country Rock/Southern Rock
Art: Front 

Tracks Listing:
 1. Always In All Ways - 3:15
 2. Wooden Horses - 3:52
 3. In Another Time - 3:30
 4. Sing A Life Of Music - 2:38
 5. Hey Ray - 3:19
 6. Only A Fool - 2:27
 7. Dusty Road - 3:10
 8. Try Harder - 3:53
 9. Marble Lady - 3:33
10. You Ain't Got Nothin' - 3:23

From the super-obscure label that also gave us Candle, this is a surprisingly good country-rock aggregation with ringing guitars and close harmonies. Imagine Stephen Stills fronting the early Poco, and you have a good idea of the overall sound. A fine cover of Steely Dan's "Only A Fool Would Say That" is a highlight.

пятница, 19 ноября 2021 г.

Dirty York - Waiting On St. George

Bitrate: 320K/s
Year: 2009/2019
Time: 58:27 
Size: 134,1 MB 
Label: Green Media Distribution
Styles: Rock/Southern Rock
Art: Front 

Tracks Listing:
 1. No Apologies - 3:45
 2. Roll With It - 3:33
 3. All My Friends Look Like Jesus - 4:58
 4. Grapefarm Diamond From Mexico - 5:10
 5. Crazy Little Thing - 6:12
 6. Easier Said Than Done - 4:25
 7. One In Every Crowd - 5:27
 8. Spareroom Hero - 3:19
 9. Blue Eyes - 6:37
10. What’s It All About? - 5:00
11. Thank You Mama - 3:27
12. Revolution - 6:29

The first acquaintance with Dirty York was during a TV broadcast of Rockpalast and very impressed by it, in anticipation of the album 'Feed the fiction' to be released in 2013, but for a moment an oldie from 2009 from Australia came over. The effort was not in vain and only fuels the hunger for the new disc. The band immediately jumps in with the rocker songs 'No apologies' and 'Roll with it', songs that seem influenced by a mix of AC/DC, Rolling Stones, The Red Hot Chili Peppers and Aerosmith but always retain their own identity. Then follow the southern rock songs, 'All my friends look like Jesus', something that three of the five gentlemen also succeed in doing, and 'Grapefarm diamond from Mexico', two songs where they rival the greats of the 'southern rock earth', really sublime. Then it is time to slow down with 'Crazy little thing' and which literally and figuratively touches the sensitive nerve, the goosebumps are not caused by the weather here but really with soul-cutting music and vocals, this also applies to the JJ Gray feeling evoking 'Blue eyes' and 'One in every crowd'. In between, of course, that solid rocking, but oh so wonderful sound, to end with 'Revolution' another emotional song. Conclusion: a band that plays so nice and solid and also plays such beautiful sensitive music and still makes it fit together, then there is only one word for it: SUPER

Dirty Mercy - Live At The Whitehouse Lawn

Bitrate: 320K/s
Year: 2006
Time: 62:22 
Size: 143,0 MB 
Label: Self Released
Styles: Classic Rock
Art: Front 

Tracks Listing:
 1. Three Bombs of all the Loving in You -  3:36
 2. Hyde Park -  5:00
 3. Mental Undressing of an Urban Scene -  3:46
 4. Drown Your Radio -  5:03
 5. Tiger Balm -  2:08
 6. The Sultan -  6:06
 7. Merry Go Round -  4:56
 8. Volcanoes -  8:53
 9. Battle Suite -  3:29
10. Country Fight -  1:19
11. Bluesfight -  5:38
12. Morning Calls - 12:22

Exciting debut album from North Hollywood based rock band, dirty mercy. This straight ahead, "no nonsense" band draws it's influences from such 70's .Palpable agitation circulates among the relatively few people who come into contact with Dirty Mercy...The feeling that this quartet, located in North Hollywood, California, USA, is designed to restore the glory of rock and roll. Taking inspiration from great rock classics like Led Zeppelin, David Bowie, Pink Floyd and The Rolling Stones, Dirty Mercy turns current music scripts with the same sound of hot idols, consisting of shamelessly bed songs, you're alive and constant solos. Awesome cd. if you like real rock music, then this cd is for you...the guitar solos are amazing....all i know is these guys are talented.

Domestic Problems - Play

Bitrate: 320K/s
Year: 1997
Time: 56:15 
Size: 129,0 MB 
Label: Triple Rock Records
Styles: Jam Bands
Art: Front 

Tracks Listing:
 1. Play - 3:14
 2. Ernie's Tragic Love Triangle - 4:11
 3. Bowling - 5:05
 4. Summer In The Sandbox - 4:29
 5. I Think It's funny - 4:13
 6. Just Let Go - 4:57
 7. Hob Nob - 5:10
 8. James Francis - 3:56
 9. Bastard Machine - 4:18
10. Marry - 6:06
11. Simple Guy - 6:09
12. My Only Love - 4:21

Domestic Problems are a six piece Rock / Pop band based out of Grand Rapids, MI. Having been playing for over two decades, they have built a national fanbase and have shared the stage with Barenaked Ladies, Neil Young, Rusted Root, Pat Benatar, Joe Walsh and Blues Traveller.

Solution - The Best of Solution Live

Bitrate: 320K/s
Year: 1983
Time: 57:03 
Size: 131,1 MB 
Label: Progressive Rock
Styles: Telstar
Art: Full 

Tracks Listing:
 1. It's Only Just Begun - 5:54
 2. Divergence - 4:14
 3. Bad Breaks - 6:00
 4. Captain Willie - 5:38
 5. Runaway - 3:59
 6. 100 Words - 3:28
 7. Move On - 4:13
 8. Downhearted - 4:13
 9. Black Pearl - 5:45
10. Song For You - 3:43
11. Give Some More - 5:02
12. Last Detail - 4:49

Musicians:
Tom Barlage - saxes, additional keyboards, backing vocals
Willem Ennes - keyboards, backing vocals
Harry Hardholt - guitar, backing vocals
Hans Waterman - drums
Guus Willemse - bass guitar, lead vocals

Solution were a Dutch progressive rock band that existed from 1970 to 1983, during which time they released six studio albums and one live album. They incorporated jazz, rock, pop and soul influences, becoming more commercial on their fifth and sixth albums.
Their first eponymous LP comprised mainly instrumental pieces, complex yet repetitive in structure, with bassist Peter van der Sande singing on one track. He was succeeded by Guus Willemse around the time of its release, and immediately the band began recording more vocal songs; three of the tracks on second album Divergence featured lyrics. The third album Cordon Bleu (1975) was released on Elton John's own label named The Rocket Record Company, as was its follow-up Fully Interlocking (1977). Both albums were produced by John's producer Gus Dudgeon, and featured a crisper sound and more concise songwriting.Despite some criticism for a more commercial direction, the next two albums, It's Only Just Begun (1980) and Runaway (1982) continued this trend. The two title tracks from these albums became hit singles in Europe. Solution split in 1983, playing a final concert at Paradiso in Amsterdam and releasing a double live album. They regrouped in March 2006 for two concerts at Panama, Amsterdam (released as a DVD in July 2007), while a triple CD compilation (The Ultimate Collection, comprising almost every track they released) was issued in 2005. Also, a 1976 pairing of Solution and Divergence (simply titled Solution) was reissued by EMI in February 2007, featuring "Fever" (left off the original CD edition) and "Divergence", the studio version of which was omitted from The Ultimate Collection in favour of the 1983 live recording.
This Cd was released during the last tour in Holland. It gives a good impression of the quality of the musicians playing LIVE. From the commercial "Runaway" to the sencitive "100words" it is still a pitty today that a great band as Solution has split.

четверг, 18 ноября 2021 г.

Wakefield - The Lost Warthog Tapes'70-71

Bitrate: 320K/s
Year: 2002
Time: 77:36 
Size: 177,7 MB 
Label: Gear Fab Records GF193
Styles: Progressive Rock/Psychedelic Rock
Art: Full

Tracks Listing:
 1. Bring It On -  4:22
 2. Something Is Coming -  4:12
 3. How Does It Feel -  3:56
 4. I Will Always Come Back -  4:34
 5. Old Man - 11:08
 6. I Know -  3:12
 7. Water -  8:20
 8. Snowchild -  9:47
 9. In My Mind -  8:05
10. Landgrabber -  4:42
11. You And I -  6:09
12. Let's Get Loaded -  3:29
13. You'll Find Your Man -  4:58
14. Rollin' Down The Highway -  0:33

From Pueblo, Colorado this psychedelic rock band formed in 1969 and continued to play all over the Pacific Northwest until their break up in 1974. The band recorded a concept album for Warthog Studios in Denver between 1971 and 72 that had been stored away for some 30 years until now! Superb wah wah fuzz guitar, dreamy Moody Blues harmonies and a cool use of woodwinds make this a real lost classic! Almost 80 minutes long. A really excellent album! (FREAKEMPORIUM)


Loadstone - Loadstone

Bitrate: 320K/s
Year: 1969
Time: 33:59 
Size: 78,4 MB 
Label: CBS
Styles: Progressive Rock/Jazz-Rock Fusion/Psychedelic Rock
Art: Full

Tracks Listing:
 1. See The Light -  3:24
 2. Keep On Burning -  2:49
 3. Dayshine -  5:18
 4. Time -  3:45
 5. It Couldn't Be Bad -  3:17
 6. Flower Pot - 15:23

Brassy edged US prog outfit, with rock 'n' soul touches, and even some country flavour, very much in the vein of Blood Sweat And Tears or early Chicago.

Hindu Love Gods - Hindu Love Gods

Bitrate: 320K/s
Year: 1990
Time: 37:12 
Size: 85,4 MB 
Label: Giant/Reprise/Warner Bros. Records
Styles: Rock/Blues Rock/Alternative Rock
Art: Front 

Tracks Listing:
 1. Walkin' Blues - 4:13
 2. Travelin' Riverside Blues - 4:02
 3. Raspberry Beret - 3:54
 4. Crosscut Saw - 3:06
 5. Junko Pardner - 2:41
 6. Mannish Boy - 6:58
 7. Wang Dang Doodle - 3:51
 8. Battleship Chains - 3:08
 9. I'm A One Woman Man - 2:18
10. Vigilante Man - 2:56

Musicians:
Warren Zevon – vocals, guitar;
Peter Buck – guitar;
Mike Mills – bass guitar;
Bill Berry – drums.

The Hindu Love Gods were essentially R.E.M. with Warren Zevon replacing Michael Stipe as front man. Always somewhat of a joke, the quartet did manage to release a self-titled album of cover songs that they had recorded in 1987 with leftover studio time. Loose and spirited, the group tackles a range of off-the-cuff covers that could be throwaways but for the sheer talent and charm of the players. Indeed, their spirited rendition of Prince’s “Rasberry Beret” even made the charts in 1990. A pair of Robert Johnson-penned blues classics and Muddy Waters’s “Mannish Boy” are attempted with similar aplomb. HINDU LOVE GODS is a rare kind of supergroup album: good-natured, unpretentious, irreverent, inebriated, and ultimately essential/
Hindu Love Gods is the only album by American band Hindu Love Gods, which was released in 1990. The album was recorded around the same time as Warren Zevon's album Sentimental Hygiene, for which Zevon had enlisted Bill Berry, Peter Buck and Mike Mills of R.E.M. as players. The musicians also recorded this set of cover versions, reputedly during a late-night drunken recording session. The recordings were not originally intended for release.

Dr. Louis Sullivan - Genealogy

Bitrate: 320K/s
Year: 2008
Time: 58:29 
Size: 134,0 MB 
Label: Self Released
Styles: Jam Band
Art: Front 

Tracks Listing:
 1. Breckenridge -  6:02
 2. Ladders -  7:28
 3. Crystal Ball -  4:17
 4. Underground Fix -  9:02
 5. Franklin -  6:43
 6. B-Side Bebop -  5:34
 7. Chasm -  7:07
 8. Loaded Dice - 12:13

Dr. Louis Sullivan is an experimental rock band that is constantly evolving and developing their songs and live performances. The group's music has been called many things, but no one can catalog it. His style is multigenic and runs through various areas of jazz, trance and electronics.
The sound has funky grooves alongside guitar riffs. His live performance is always energetic. The fans and band seem to be beside themselves all night and the intensity only seems to increase. Each performance is accompanied by a light show pleasing to the retina, making the performance a spectacle worth seeing. The band is from Albany, Georgia, USA. Its members have grown and developed together and this is evident in their cohesive jams. The band has toured Georgia and neighboring states over the past four years and has captured a very passionate legion of fans, which continues to grow each time the group plays. Dr. Louis Sullivan is very committed to keeping her admirers and making every show new and exciting.

пятница, 2 июля 2021 г.

Left Hand Smoke - At The Hotel

Bitrate: 320K/s
Year: 2006
Time: 33:01 
Size: 75,8 MB 
Label: Mackadoshis
Styles: Rock/Roots Rock/Jam Band
Art: Front 

Tracks Listing:
 1. Sugar On Sunday - 3:01
 2. The L.A. Song - 4:33
 3. Rock N' Roll Salvation - 3:17
 4. You Got Soul - 3:53
 5. Stovepipe Hat - 2:09
 6. Fallin' In Love With A Dream - 3:30
 7. Too Late, Too Late - 3:32
 8. Can I Get A Witness - 3:04
 9. At The Hotel - 2:51
10. Storms - 3:07

Left Hand Smoke has finally brought years of road work and stage experience together and put out a startling album that was largely culled from the demos of songs that songwriter Ben Mish had written since his early days in New York and the inception of the band. Working with Producer/Engineer Stevie Adamek (The Allies, The Believers), the band embraced a new direction, pushing themselves to explore new musical territory. The resulting album, At the Hotel, combines catchy hooks and soulful melodies with the crushing rock and roll for which LHS has become known. Mastered by Mark Guenther (The Refreshments), At the Hotel is a fresh sound from a band that has shown their ability to expand in new directions while remaining true to their musical roots.

суббота, 16 мая 2020 г.

James Vincent - Culmination

Bitrate: 320K/s
Year: 1974
Time: 54:50
Size: 125,6 MB
Label: Vivid Sound
Styles: Progressive Rock/JRF
Art: Full

Tracks Listing:
 1. The Deer (Elder Brother) - 4:12
 2. Controlled Folly - 8:40
 3. Plains Of Nazca - 5:58
 4. Algernon I - 2:18
 5. Brain Subway - 6:04
 6. Divinity - 3:37
 7. Freedom Struggle - 4:56
 8. Duplex - 7:00
 9. Algernon II - 5:47
10. Declamation - 6:15

James VINCENT is just one of many excellent musicians from Chicago area. As a guitarist he changed through a lot of styles, and through his career was not just a solo artist but a studio musician, writer and composer.One of his first more known bands in blues ridden Chicago were THE EXCEPTIONS in which he worked with Pete CETERA who would become lead singer of CHICAGO. After working as a studio musician for many Chess Records recording artists, VINCENT became a guitarist for the proto-prog band H.P.LOVECRAFT. Then he met Howard WALES & Jerry GARCIA with whom he toured for a brief time. While touring and playing the blues/funk influenced fusion at the time, VINCENT became inspired with their opening band and their guitarist, which was John MCLAUGHLIN and MAHAVISHNU ORCHESTRA.Afterwards he began recording and released four albums up to 1980 before taking a longer break with his solo career. His earlier records can be reminiscent of for example SANTANA with whom he used to work with and his RnB roots show in a lot of his work but amongst those there is fine energetic instrumental jazz fusion.

Culmination

четверг, 7 мая 2020 г.

Kimmo Porsti - Wayfarer

Bitrate: 320K/s
Year: 2020
Time: 73:01
Size: 167,3 MB
Label: Seacrest Oy
Styles: Progressive Rock/Symphonic Prog
Art: Full

Tracks Listing:
 1. Arrival -  3:00
 2. Heaven's Gate -  6:15
 3. Creer, Crecer -  4:55
 4. Connection Lost -  5:29
 5. Morning Mist -  4:42
 6. Thunkit -  6:22
 7. Wayfarer -  4:54
 8. Cruz Del Sur - 10:19
 9. Witch Watch -  6:51
10. This Day Is Yours -  5:52
11. Heavy Winter -  3:30
12. Icy Storm -  5:27
13. Mika -  5:18

Kimmo's second solo album "Wayfarer" is out now. Music ranges from Camel-style songs to groovy Fusion instrumentals. Although the album could be described as Symphonic-Prog in general, you can find Celtic and Bluesy elements as well. Featuring Marco on 4 songs and 18 other talented guests: Dave Bainbridge, Jaime Rosas, Jose Manuel Medina, Rafael Pacha, Hitomi Iriyama, Rodrigo Godoy, Jenny Darren, Marek Arnold, Carmine Capasso, Hanna Pörsti, J-P Rantanen, Kev Moore, Kari Riihimäki, Jari Riitala, Olli Jaakkola, Jan-Olof Strandberg, Otso Pakarinen and Steve Mauk.

Wayfarer

понедельник, 13 апреля 2020 г.

Pat Smillie Band - Letter to Hampton

Bitrate: 320K/s
Year: 2003
Time: 38:03
Size: 87,2 MB
Label: Fat Bank Music (ASCAP)
Styles: Blues/R&B/Soul/Roots Rock
Art: Front

Tracks Listing:
 1. Thirteen Below Zero - 4:05
 2. Last Time I Saw Him - 4:02
 3. Drowning Down - 3:54
 4. Finest Hour - 3:15
 5. The Comeback - 4:36
 6. Letter to Hampton - 2:44
 7. Finally Over You - 3:02
 8. Let's Make a Date - 3:06
 9. Latanya - 4:49
10. Can We Make This Happen? - 4:24

Chicago-based band mixes it up with 10 new original songs. The album is a showcase for Smillie's husky vocals and the fine performances offered up by the band. Strong songwriting with a mess of r&b/blues/soul roots. Born in Detroit, Pat Smillie began honing his vocal style while still in high school. Inspired by the Motor City's unique rock and soul vibration, he started out listening to Ray Charles, Mitch Ryder, Bob Seger, Joe Cocker & The Temptations and spent his teenage years singing in rock & soul cover bands on Detroit's southwest side. He moved to Chicago in 1992, where he has since become a fixture on the Chicago scene.

Letter to Hampton

понедельник, 6 апреля 2020 г.

Pure Reason Revolution - Eupnea

Bitrate: 320K/s
Year: 2020
Time: 47:48
Size: 109,5 MB
Label: InsideOut Music
Styles: Progressive Rock/Crossover Prog
Art: Front

Tracks Listing:
 1. New Obsession -  5:07
 2. Silent Genesis - 10:20
 3. Maelstrom -  5:44
 4. Ghosts & Typhoons -  8:45
 5. Beyond Our Bodies -  4:28
 6. Eupnea - 13:23

Musicians:
Jon Courtney - vocals, guitars, keyboards;
Chloë Alper - vocals, bass, keyboard;
With
Geoff Dugmore - drums.

"Whatever Pure Reason Revolution produces is going to echo the back catalogue, but it cannot help but be a progression." - Chloë Alper
In their decade as a band, Pure Reason Revolution relentlessly innovated on every release. Their debut was a modern spin on classic prog, as accessible to fans of Tool and Muse as it was to Pink Floyd fans. Amor Vincit Omnia and Hammer and Anvil took them into electronic territory, all while maintaining a common progressive rock thread.It's fitting then that Eupnea, the long-awaited return from the band, sees them harking back to their earliest days, while rolling in all of the musical experiments and experience they've gathered in the intervening years.The cinematic soundscapes of Hammer and Anvil? Check. The dark atmosphere and synths of Amor Vincit Omnia? Check. The gauzy psych-prog of their debut? Ch-check.It's sprawling, with three tracks hitting the ten-minute mark, and one notching up against fifteen. Sure, track length does not equal ambition, but still, it's quite the statement of intent.So why now? After completing the touring cycle for the debut album by Bullet Height - his electronic duo with vocalist Sammi Doll - Jon took an extended break. "I didn't do any music for six months or more, and then I just really started thinking, 'where am I?', 'who am I?' it was like a musical reset or something. I started back in the studio and what I was doing was much more proggy sounding. I thought, 'well, that doesn't really fit with Bullet Height, but this fits with Pure Reason, it sounds like Pure Reason.'"
Rather than shy away from it, he picked up the phone. "I thought well, I need to speak to Chloë if this is going to be even a possibility... she said it sounded like a great idea."The distance from the project gave us reflection time. I think all of us wanted to have a go at some other things, see what they were like and then maybe come back to it," Chloë says, adding that it was clear what the tone of the new album should be. "We wanted it to feel firmly proggy as well as exciting and new, and raw."That wasn't the only call Jon made. His next was to Greg Jong, the original guitarist of the band."I had some demos knocking around for this new stuff I'd been working on and I said, 'look Greg, how do you feel about coming over to Berlin?'" recalls Jon. They collaborated on three of the album's six tracks, with his contribution to the sound of Eupnea best summarised by his past writing & production credits in PRR - "we did the initial demos together that led to the Sony deal, so that would have been tracks like Apprentice of the Universe, Nimos & Tambos, and Bright Ambassadors of Morning."For some bands, this would simply be retreading old ground. For Pure Reason Revolution this relaunch is a rebirth, producing their most confident record yet, which takes them in a new direction while weaving in the elements that endeared them to fans in the first place.

Eupnea

четверг, 16 января 2020 г.

John McDonald - Even Cowboys Get The Blues

Bitrate: 320K/s
Year: 2020
Time: 41:07
Size: 95,6 MB
Label: Self Released
Styles: Blues
Art: Front

Tracks Listing:
 1. Across The Borderline - 3:34
 2. Jelly Roll Baker - 2:34
 3. I Feel Like Hank Williams Tonight - 3:00
 4. If You Say No - 4:21
 5. Going Back To Florida - 3:56
 6. Hands On The Wheel - 2:59
 7. St. James Infirmary - 4:31
 8. Desperados Waiting For A Train - 3:50
 9. Night Riders Lament - 2:53
10. Come Back Baby - 2:48
11. Charlie Dunn - 2:37
12. Feels Like Rain - 4:00

John McDonald has been playin/singing the blues for over 40 years. He began in his native Massachusetts playing in local coffee houses in Boston , Cambridge and Worcester. He moved to Bloomington Ind in 1980 to attend school and continued to play solo locally including opening for Muddy Waters at a local concert. John next moved to Davis California to attend graduate school and started a band called "Buddy Funk" that became popular in the Sacramento/Davis and San Francisco Bay area. He moved to Athens Georgia in 2000 and started a blues band called "the unforgiven" that played regularly in the Athens/ Atlanta area. In 2016 the band broke up ("...we got sick of hauling equipment around and not getting to bed until 3AM and then going to our day jobs the next morningy...". Since 2017, John has been playing and recording solo in the Athens/ Atlanta GA area. His music is still rooted in the blues but he is enjoying playing music by Guy Clark, John Hiatt, Ry Coder and, his good friend, Eric Dahl in recent years. John has two albums out ""...mostly blues" released in 2019 and "Even Cowboys Get the Blues" released in 2020. Outside music, John serves as Director of the Integrated Cancer Research Center at the Georgia Institute of Technology in Atlanta.

Even Cowboys Get The Blues

среда, 15 января 2020 г.

Bill Liesegang, Toby Baker - Blues Rock Jam

Bitrate: 320K/s
Year: 2015
Time: 42:49
Size: 100,8 MB
Label: Sonoton / APM Music
Styles:Blues/Blues Rock/Instrumental
Art: Front

Tracks Listing:
 1. Old Town Boogie - 4:18
 2. Midnight Shuffle - 3:40
 3. Pit Stop - 3:25
 4. Funky Jazz Blues - 3:19
 5. Texas Rambler - 3:11
 6. Folk Law - 4:04
 7. Axis - 3:22
 8. Electric Gypsy - 3:53
 9. Sin City Strut - 3:26
10. Take a Dive - 3:24
11. Blues Diner - 2:48
12. Will I Die - 3:55

Guitarist and producer, Bill Liesegang has worked as a guitar player on on a great number of albums and projects, as well as live. He started his career as bass player in David Bowie’s band at the age of 16. After forming a band with Bruce Dickinson (Iron Maiden) called The Shots and his own band called Xero he had a chart hit single OH BABY. He later toured with Nina Hagen and played as session player with Rod Stewart, Jack Bruce(Cream), David Bowie, Nina Hagen, Midge Ure, Bob Geldof, Red Hot Chili Peppers, Robert Fripp, Steve Hackett, Stewart Copeland, Transvision Vamp, Mark King And Boon Gould (Level 42), Phil Manzanera, Shara Nelson (Massive Attack), Lemmy (Motorhead), Metallica...

Blues Rock Jam

четверг, 9 января 2020 г.

Popa Chubby - It's A Mighty Hard Road

Bitrate: 320K/s
Year: 2020
Time: 62:27
Size: 144,4 MB
Label: Dixiefrog
Styles: Blues/Blues Rock
Art: Front

Tracks Listing:
 1. The Flavor Is In The Fat - 2:46
 2. It's A Mighty Hard Road - 3:02
 3. Buyer Beware - 3:32
 4. It Ain't Nothin' - 4:02
 5. Let Love Free The Day - 3:24
 6. If You're Looking For Trouble - 3:57
 7. The Best Is Yet To Come - 4:30
 8. I'm The Beat From The East - 5:14
 9. Gordito - 5:52
10. Enough Is Enough - 4:35
11. More Time Making Love - 3:58
12. Why You Wanna Bite My Bones? - 4:17
13. Lost Again - 5:17
14. I'd Rather Be Blind - 3:52
15. Kiss - 3:59

Blues rock guitarist, singer-songwriter Popa Chubby is set to release a new album It’s A Mighty Hard Road, on March 1, 2020. With 15 tracks, two covers and 13 originals, the record rocks the blues with plenty soul.Popa Chubby, born Ted Horowitz, has been playing blues, rock and soul for 30 years. New York city based guitarist, songwriter and singer became a hardcore rocker in the early 90’s. He is known for his aggressive style of blues, influenced by Willie Dixon.Popa Chubby has released a slew of albums over the years, his latest being Prime Choice, out 2019. Popa is a prolific artist and multi-instrumentalist, and never one to conform.
Popa Chubby says,
“You know me? I’m not what you think I am. I’m half human, half beast, 300 pounds of muscle and man, New York born native son. Grew up hard, too big to run. I came up on the streets of the Bronx, Queens and Manhattan. I sought the streets to find the love I could not get at home but all I found was trouble, heartache and despair in the barrel of a gun and the eye of a needle in my vein. Then the music saved me, the guitar saved me and I was no longer fat Teddy from the block. I was a player, a singer, a writer, and I found out people loved me for that.
I was risen from the ashes, made stronger from the fire, I was ready for the trials and the tribulations that would bring me to where I am now! 30 years is a lifetime or a blink of the eye, depends on how you look at it. For me every day, every show, every note, every flight, every story, every hug has been sheer joy. I truly believe this has all manifested for a reason. I shine as an example of the human spirit. What does not kill us surely makes us stronger and the art and music we make bares the power of an uphill climb.
My friends, Brothers, Sisters, Nieces and Nephews. My humble offering to you. 15 tracks of my very bestest. No matter who you are, no matter what you do, no matter what you believe we are all the same and…”

It's A Mighty Hard Road

Nasta Super - Jammin' with Lurrie Bell - Romaphonic Session II

Bitrate: 320K/s
Year: 2020
Time: 74:03
Size: 169,7 MB
Label: Epsa Music
Styles: Blues/Chicago Blues
Art: Front

Tracks Listing:
 1. Every Day I've the Blues -  7:07
 2. Messing with the Kid -  4:03
 3. Reconsider Baby -  7:53
 4. Doodlin -  7:20
 5. It Ain't Right -  5:53
 6. Spider in My Stew -  7:20
 7. Tavo's Stomp -  4:54
 8. Blues After Hours -  6:34
 9. I Need You so Bad -  6:20
10. The Sky is Crying - 11:28
11. Cat Shuffle -  5:06

Band formed at the beginning of the 90s by Guitarist Rafael Nasta. At this moment, the formation of the Band is Rafa Nasta in Guitar and Voice, Gabriel Cabiaglia in Drums, Mauro Ceriello in Bass and Walter Galeazzi in Keyboards.
Nasta Super have in his career with five edited CD's, "Nasta Super", "Social Problem", "Will Pay", "May Luck Accompany You" and "Lost Time".
Rafael Nasta is one of the most important references of the Blues in Argentina, counting on his own style and dedicated to modern Blues, he has played and shared the stage with the most important guitarists of the local scene, artists of the size of: Luis Salinas, Francisco Rivero, Alambre Gonzбlez and internationally with: Lurrie Bell, Phil Guy, Duke Robillard, Eddie C. Campbell, Bitter Smith, Larry Mc Cray, Eddie King, John Primer, Little Mc Simmons, among others.
Recently made a successful tour of our country, with the renowned guitarist of the West Coast of USA, Chris Cain. Confirming his leadership as Blues guitarist in Argentina with his band Nasta Super Blues Band.

Jammin' with Lurrie Bell - Romaphonic Session II

среда, 4 декабря 2019 г.

Pat Pepin - In it for the Long Haul

Bitrate: 320K/s
Year: 2009
Time: 42:57
Size: 99,8 MB
Label: Self REleased
Styles: Blues/Classic Female Blues
Art: Front

Tracks Listing:
 1. Can't Be Satisfied - 4:06
 2. Don't Call Me Baby (Baby) - 3:34
 3. Can't Take It With You - 4:33
 4. Long Haul Trucker - 3:00
 5. 'Till Death Do Us Part - 3:18
 6. This Dress - 2:43
 7. Why Me - 3:23
 8. Sneaking Suspicion - 3:01
 9. Sunday Kind of Love - 4:41
10. Left Me Lonely - 4:24
11. Ain't What You Got - 2:51
12. Living at Walmart - 3:19

Blues at its best! Clever storytelling, rich vocals and soulful saxophone make this disc a must hear! Finalist in 2010 IBC Best Self-produced CD catagory.
Pat Pepin is a singer and saxophonist who knows the blues from the inside out. She performs with conviction and power, infusing her music with heart-felt emotion, drawing the audience into a Blues experience like none other.
This phenomenal musician has set her sites on achieving national status. Pat has worked all her professional life as a vocalist, sax player, songwriter and music teacher. She has done so while simultaneously raising two children, building her own home and earning her degree in music from the prestigious University of Maine, Augusta. Today, she also assumes an active role as grandmother to her daughter’s four children.
With a career that spans over 25 years of experience, three CDs, a tour schedule that has included gigs and appearances up and down the east coast, Pat believes that she has what it takes. She fully expects to achieve her goal of touring internationally and to continue to create and deliver high energy, honest entertainment.
Pat’s passion is not confined to the stage. Her warm and upbeat manner is a hit with kids. She hosts the annual Children’s Program at the Maine Blues Festival and has had the honor of working with patients at the Barbara Bush and Shriners Hospitals as part of ‘Raising the Blues’.

In it for the Long Haul

среда, 27 ноября 2019 г.

"Chicago" Carl Snyder & Friends - Lost and Found

Bitrate: 320K/s
Year: 2019
Time: 52:26
Size: 120,2 MB
Label: Lost World Music
Styles: Blues/Chicago Blues/R&B
Art: Front

Tracks Listing:
 1. That Ain't Right (feat. Jimmy Lawrence) - 5:36
 2. Party Man (feat. Dan Noland) - 4:27
 3. If You're Gonna Walk on My Love (feat. Billy Sharp) - 4:34
 4. Sweet Sixteen / Take Me to the River (feat. Dan Noland) - 4:52
 5. Just Around the Corner (feat. Slim) - 3:46
 6. You Beat Me to the Punch (feat. Jean Avery) - 5:37
 7. Stranded (feat. Dan Noland) - 5:10
 8. Honey Brown (feat. Slim) - 4:38
 9. Flip Flop & Fly (feat. Billy Sharp) - 4:56
10. I'll Be Around (feat. Dan Noland) - 4:10
11. Walkin' with the Blues (feat. Larry Burton) - 4:35

Rocking electric blues with smooth vocals and wailing horns/A big city blues/r&b revue with strong vocals and tough horns -- plus Larry Burton's guitar. The grooves run deep and the feel is that of a live show.

Lost and Found

вторник, 19 ноября 2019 г.

Villanova Junction - 11:11

Bitrate: 320K/s
Year: 2011
Time: 67:51
Size: 155,8 MB
Label: Self-Released
Styles:Rock/Psychedelic
Art: Front

Tracks Listing:
 1. All That There Is - 4:02
 2. Devil Is the Man - 3:58
 3. Perineum - 2:00
 4. Shake Rubberdoll - 5:31
 5. Silhouette of Sound - 5:38
 6. Silence - 4:06
 7. Drink With the Dead - 6:01
 8. What We Had - 3:39
 9. Intercourse Ii - 4:04
10. Is This Your Meaning - 5:26
11. 11:11 - 4:34
12. Heart Plugged - 5:23
13. The Keepers - 3:12
14. Running Out of Time - 2:57
15. Fractal of Love - 4:00
16. Bad Bad Baby - 3:15

Electrical psychedelic juices mixed with a frosty glass of cheap old school Rock & Roll. A very wide arrangement of material some of which include strings, sexual harmonies, guitar feedback, acoustical melodies and snappy 60's beats.Villanova Junction was formed in 2007. First being hypnotized by such bands as Iggy Pop, the Doors and the Misfits. Now a days the members of the band have become more eclectic in their range of music. The resemblance of bands such as Cream, the Black Keys, Arcade Fire and the Beatles has inspired the bands musical interests to become extremely abundant in terms of their own creativity. They do not wish to be labeled in one genre, but many. More instrumentals, more harmonies, more melodies. Villanova Junction wants to create in the form that keeps the audience involved and interested...always. The members of the band also feel as though there is a connection involved with the audience. Something that you feel is coming from the bands heart and is transformed into something beautiful. It's a sense of awareness, a sense of deep pleasure that fills the mind with satisfaction for audience members. You leave the show knowing that it was indeed a show. Villanova Junction wanted to capture that same essence on their self debut album "11:11" which feature 16 tracks that cover everything from 60's snap mod beats to melodic and dramatic instrumentals. The baritone voice is not too common in the music industry these days and it sure is glad to hear someone who can yelp like they got a pair. The album is definitely a great one to listen to. Single tracks include "Devil is the man", "Drink with the Dead" , "Silence" and "Fractal of Love." Be sure to listen to the full album from start to finish so that you may get that full effect... that essence which permeates from the heart of the band.

11:11

UHF - All Our Golden Tomorrows

Bitrate: 320K/s
Year: 2005
Time: 46:04
Size: 105,8 MB
Label: Second Story Records
Styles: Rock/Psychedelic
Art: Front

Tracks Listing:
 1. Disconnect - 3:37
 2. Battery - 2:52
 3. Revolving Door - 3:57
 4. Rules of the Game - 4:56
 5. Making Connections - 4:30
 6. So High - 3:28
 7. The Behemoth - 4:56
 8. The Inbetweens - 5:18
 9. Nothing - 4:55
10. Goodbye Hello - 3:20
11. A Flight of Stairs - 4:10

Psych-popsters UHF alternately incorporate '90s influences such as Blur and early Radiohead alongside touchstones like John Lennon and The Move. Singer/guitarist Jeremy Leff doesn't stray far from his inspirations. UHF's fourth release opens with catchy "Disconnect," a sweet-and-sour morsel that evokes Sloan and Spoon. During melancholy "Revolving Door" and "Nothing" Leff sounds like a slightly chipper Thom Yorke, and on "Rules of the Game" he paraphrases The Beatles with his deadpan invocation, "The love you take, is equal to the love you fake."
British '80s psychedelic pop is also cited in undiluted "The Behemoth" and "Goodbye Hello," where Leff echoes Lennon's reverb vocals while the band lays down a distinct Lennon-ish affectation. Beneath UHF's attractive pop and rocking psychedelia are narratives which show a dark, moody undertone, focusing on modern life themes which include meaningless jobs, a dehumanized, contemporary Internet culture and media alienation. Fortunately, UHF's dour messages are embedded inside hooky harmonies and charismatic power chords.

All Our Golden Tomorrows

The Moondoggies - Don't Be a Stranger

Bitrate: 320K/s
Year: 2008
Time: 54:44
Size: 125,6 MB
Label: Hardly Art
Styles: Rock/Roots Rock
Art: Front

Tracks Listing:
 1. Ain't No Lord - 3:22
 2. Black Shoe - 3:54
 3. 'Ol Blackbird - 2:28
 4. Save My Soul - 0:48
 5. Changing - 4:41
 6. Night and Day - 8:08
 7. Undertaker - 3:53
 8. Jesus on the Mainline - 2:06
 9. Long Time Coming - 7:36
10. Old Hound - 2:28
11. Make it Easy - 5:37
12. Bogachiel Rain Blues - 4:27
13. I Want You To Know - 5:10

Ten years ago in the woodsy city of Everett, Washington, five friends banded together to form The Moondoggies, a beloved Northwest Americana band whose 2008 debut full-length Don't Be A Stranger was one of the first releases in Hardly Art's history.

Don't Be a Stranger

понедельник, 18 ноября 2019 г.

Goodbye June - Community Inn

Bitrate: 320K/s
Year: 2019
Time: 45:06
Size: 103,8 MB
Label: Earache Records
Styles: Blues Rock/Hard Rock/Southern Rock
Art: Front

Tracks Listing:
 1. Rolling Off My Tongue - 3:18
 2. Universal Mega Love - 3:25
 3. Secrets in the Sunset - 3:58
 4. Be Yourself - 4:13
 5. Lonely Beautiful People - 3:14
 6. Natural - 3:18
 7. Joan&Dylan - 3:52
 8. Anywhere the Wind Blows - 3:45
 9. Switchblade Heart - 3:45
10. Live in the Now - 4:22
11. I Don't Mind - 3:38
12. Free Child - 4:13

Nashville, Tennessee’s Goodbye June are three cousins who formed after the death of guitarist Tyler Baker’s brother in June (hence the band name), vowing to honour his memory with their soulful and life affirming sound. Having parted ways from major label Interscope after the release of their debut album Magic Valley (2017), Goodbye June sonically with the new wave of hard rock acts like Greta Van Fleet Led while adding layers of colour that references a wide spectrum from Led Zeppelin to Kings of Leon.

Community Inn

God Street Wine - This Fine Town


Bitrate: 320K/s
Year: 2019
Time: 52:16
Size: 119,8 MB
Label: Dangerous Mountain
Styles: Progressive Rock/Psychedelic Rock/Jam Band
Art: Front

Tracks Listing:
 1. This Fine Town - 7:08
 2. Nothing Left To Lose - 5:39
 3. Stupid Hat - 7:36
 4. Peanut Butter Jar - 6:55
 5. Circle - 6:57
 6. Cheap Utah Blues - 6:24
 7. Flame - 5:20
 8. 6:15 - 6:13

Musicians:
Lo Faber - Guitars, keyboards, lead and backing vocals;
Aaron Maxwell - Guitars, lead and backing vocals;
Jon Bevo - Keyboards;
Dan Pifer - Bass;
Tom Osander - Drums and percussion, backing vocals;
Craig Dreyer - Tenor Sax on "Circle".

God Street Wine's first full length studio album in over 20 years, featuring reimagined versions of eight songs from the band's 1990s touring heyday.8 songs by New York jam rock ensemble God Street Wine/

This Fine Town

пятница, 8 ноября 2019 г.

Phillip Walker - Live In Paris

Bitrate: 320K/s
Year: 2003
Time: 54:38
Size: 127,4 MB
Label: Electric Blues
Styles: Gilkey Records
Art: Full
Source: kmn

Tracks Listing:
 1. On My Way - 6:31
 2. Street Walkin Woman - 6:30
 3. Tin Pan Alley - 6:35
 4. Breakin Up Somebody's Home - 6:33
 5. Busted - 6:32
 6. It's All In Your Mind - 5:10
 7. Driftin - 6:02
 8. Boogie Woogie Rambler - 7:39
 9. I've Got A Problem - 3:02

Recorded Live October 11, 2003 in the Jazz Club Lionel Hampton, at Le Meridien Etoile in Paris, France. Despite recording somewhat sparingly following his debut as a leader in 1959 on Elko Records with the storming rocker "Hello My Darling," Louisiana-born guitarist Phillip Walker enjoyed a sterling reputation as a contemporary blues guitarist with a distinctive sound honed along the Gulf Coast during the '50s. A teenaged Walker picked up his early licks around Port Arthur, Texas from the likes of Gatemouth Brown, Long John Hunter, Lightnin' Hopkins, and Lonnie "Guitar Junior" Brooks. Zydeco king Clifton Chenier hired Walker in 1953 as his guitarist, a post he held for three and a half years. In 1959, Walker moved to Los Angeles, waxing "Hello My Darling" for producer J.R. Fulbright (a song he would revive several times thereafter, most effectively for the short-lived Playboy logo). Scattered 45s emerged during the '60s, but it wasn't until he joined forces with young producer Bruce Bromberg in 1969 that Walker began to get a studio foothold. Their impressive work together resulted in a 1973 album for Playboy (reissued by HighTone in 1989), The Bottom of the Top, that remained one of Walker's finest recordings.
Walker cut a fine follow-up set for Bromberg's Joliet label, Someday You'll Have These Blues, that showcased his tough Texas guitar style (it was later reissued by Alligator). Sets for Rounder and HighTone were high points of the 1980s for the guitarist, and 1994's Big Blues from Texas (reissued in 1999) continued his string of worthy material. His 1995 set for Black Top, Working Girl Blues, showed Walker at peak operating power, combining attractively contrasting tracks waxed in New Orleans and Los Angeles. I Got a Sweet Tooth followed in 1998, and displayed no letdown in quality or power. Walker got together with fellow blues legends Lonnie Brooks and Long John Hunter in 1999 to record Lone Star Shootout for Alligator. Walker was featured as lead vocalist on four tracks and backed the others on the rest of the record. In the fall of 2002, a live recording of a spring concert was released on M.C. Records, and 2007 saw the release of Going Back Home by Delta Groove Productions. Phillip Walker died in July 2010 at the age of 73. ~Bill Dahl

Live In Paris

среда, 6 ноября 2019 г.

Roger "Hurricane" Wilson - I Did What I Wanted To!

Bitrate: 320K/s
Year: 2019
Time: 48:09
Size: 110,4 MB
Label: Bluestorm Records
Styles: Blues/Electric Blues
Art: Front

Tracks Listing:
 1. I'm Coming Home - 4:15
 2. I Did What I Wanted To - 4:16
 3. If This Is Love - 4:35
 4. This Crazy World - 5:40
 5. Blues Came from the Country - 4:04
 6. Food, Phone, Gas, & Lodging - 2:43
 7. I'm Through with the Blues - 4:36
 8. Why Can't It Be Like Christmas Everyday? - 3:07
 9. Legacy of Ted Turner - 3:30
10. Sittin' on a Stallion - 4:17
11. Solid Gold Love - 4:23
12. Why I Do What I Do - 2:37

The release of his latest project, I DID WHAT I WANTED TO, is a reflection of Roger’s 50 years as a professional musician. “I am very excited to be releasing my 25th CD. The title track, “I DID WHAT I WANTED TO, says it all. Some like my music and some don’t, but that never mattered. I just set out to do what it was that felt right to me. Over the years, I’ve met a lot of great people, producers, and critics who have positively embraced what I do. It’s been a great run, but as they say in the old country, ‘It ain’t over yet’!” If you like guitar driven blues rock, fluid and intricate finger style guitar picking, and emotional songwriting, you are at the right place. Roger “Hurricane” Wilson has made his own mark on the music world. The legendary Les Paul once said about Roger, “This guy plays some great blues.” Atlanta treasure Francine Reed stated that, Roger “Hurricane” Wilson is a force to be reckoned with.” With over a million miles under his belt, he has shared the stage with such notable artists as B.B. King, Buddy Guy, Stevie Ray Vaughn, Little Milton, Hubert Sumlin, Willie “Big Eyes” Smith, Charlie Musselwhite, Jorma Kaukonen, Dicky Betts, Delbert McClinton, Taj Mahal, and many more. And if that isn’t enough, and don’t you think it ought to be, as a result of his Blues In The Schools Program, The Oklahoma Blues Hall of Fame thought him worthy enough to induct him in 2015.

I Did What I Wanted To

пятница, 25 октября 2019 г.

The Swamp Born Assassins - Dead Man's Train

Bitrate: 320K/s
Year: 2019
Time: 48:49
Size: 114,3 MB
Label: Carnivora Records
Styles: Rock/Hard Rock/Southern Rock/Blues Rock
Art: Front

Tracks Listing:
 1. Dead Man's Train - 5:20
 2. Blot Out The Sun - 5:05
 3. The Weeping Tree - 4:11
 4. Better Off Dead - 4:12
 5. Sharp Shot Johnny - 4:12
 6. Crank It Up - 4:47
 7. Shotgun Shells & Whisky - 3:11
 8. Rise Up - 5:09
 9. Run To The Wildfire - 5:19
10. The Madness Of His Reverence - 7:19

Musicians:
Charlie Moffat - Vocals/Harmonica;
Andy (Paws) Christie – Guitar;
Jamie Moffat - Guitar;
Allen Bell – Bass;
Stevie Craven - Drums;
Kirsty Moffat - Backing vocals.

With their origins in Glasgow a couple of years ago, SWAMP BORN ASSASSINS started life as a small group of musicians jamming together and putting out some heavy blues sounds. Needing a little polish and production before laying down their tracks, friends Alf Vesterelv and Tommy Granli from Norwegian band The Maudlin Hounds were enlisted to finalise the recording of their first CD ‘Smell The Mud’. And now, ready to build on their initial success with their second album, ‘Dead Man’s Train’, guitarist Andy Christie and bassist Allen Bell have been drafted in to give a big sound and larger than life stage presence for what should be a memorable album launch night in Glasgow on 14th June.The NorWeegie connection is still strong on the new album, as Andy Christie confirmed:
“Alf and Tommy really helped define the Swamp Sound, so there was no question when it came to who we wanted to mix and master the new album.”
Andy is a man of many bands, and will also be onstage early doors for the launch party with his other band LAST ALIBI, which also features Allen Bell, where they will be playing tracks from the bands new self-titled EP. LAST ALIBI are a completely different blend of rock, as Andy explained to me:
“I’m really lucky to be working with a lot of great bands and artists. Every band I’m in has amazing songwriters, players, and a strong front man/woman, who all have their own unique personalities and style.”
‘Dead Mans Train’ opens with the title track, featuring not only Tommy on bass, but Linkan Anderson on lead guitar, and Alf on backing vocals, allowing Moffat a little time to blow some howling harmonica. With so many musicians involved, it’s no surprise there is a big meaty sound to this album, and although this is a heavy blues southern album, ‘Dead Mans Train’ has a distinctive bass buzz that was Lemmys’ trademark for so many years.
‘Blot Out The Sun’ carries on with the heavy fuzzy guitar and deep bass, warning us of the environmental damage we are doing to our planet.
Third song in, is the first single taken from the album, ‘Weeping Tree’, which has a deep and dark throbbing bass dominating the track, with a light melodic chorus, interspersed with a little southern slide guitar.
‘Better Off Dead’ starts with a foreboding doom-laden bass, picked up on by the lead guitar, and carried into this horror film soundtrack. If there is a monster in the swamp, this is the beat he’s dancing to.
Alf Vesterely joins in again on lead guitar and backing vocals for the funky blues of ‘Sharpshot Johnny’. Moffat’s harmonica hits the sweet spot in the break, and Vesterly does his best Chuck Berry in this upbeat sequel to ‘Johnny B Good’, when Johnny goes bad!
‘Crank It Up’ is an extreme road trip, with the accompaniment of a heavy riff, and pounding drums, that sound like a pile up on the motorway, full of metal and mayhem.
Kicking off with a rousing rebel yell, ‘Shotgun Shells and Whisky’ is a good ol’ southern drink fuelled stomper that typifies the mantra of the Assassins, good time rock and roll.
Of all the songs on the album, I think ‘Rise Up’ sums up who and what the SWAMP BORN ASSASSINS are, a song that includes bagpipes, heavy riffs, the sounds of battle, and more rebel yells than a Billy Idol gig, it merges traditional Scottish music with Nordic rock, all blended together in a rebel song.
Channelling the best of the early Stones, when they were still young and cool, ‘Run To The Wildfire’ is a throwback to seventies rock, full of screaming harmonica, shredding guitar, and relentless drums.
Finally, to finish the album is the haunting, seven-minute epic ‘Madness Of His Reverence’. Almost Sabbath like with its dark and disturbing moody lyrics, and lengthy guitar solos.
The album pre order is open now, with the launch in Glasgow’s Audio on 14th June. The band will also be appearing at several festivals over the summer, and finishing the year at Winterstorm in Troon. I’ll leave the final word to Andy:
“The album launch is not to be missed, we will be performing the new album in its entirety, as well as some fans favourites from the first album. I don’t want to give too much away, but with it being such a special night for us, you can expect more theatrics and swampiness than ever before!”

Dead Man's Train